Atmosphère Commune
(Comoning Atmospheres)

(2024-)

Supported through HAIR AIR Cité Internationale des Arts Residency; and CREATENSW

Exhibition documentation by Cristea Zhao

𝘼𝙩𝙢𝙤𝙨𝙥𝙝è𝙧𝙚 𝙘𝙤𝙢𝙢𝙪𝙣𝙚 (𝘾𝙤𝙢𝙢𝙤𝙣𝙞𝙣𝙜 𝘼𝙩𝙢𝙤𝙨𝙥𝙝𝙚𝙧𝙚𝙨)
investigates the (counter)economies of ventilation shafts, originally installed as part of the Metro system in the early 20th century, when gentrifying social engineers sought to ‘breathe fresh air’ into the city, displacing working-class communities in turn. Beyond their ‘practical’ function, these sites also operate as more-than-weather systems of atmospheric ‘commoning’ for precarious communities and individuals in Parisian urban spaces during the extreme forces of Winter.

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Beyond the performance of noise