(UNDER)
SCORING THE COMMONS (2021-)
Gosford Regional Gallery; University of Helsinki; World Forum for Acoustic Ecology, Avant Project (Poland)
Ongoing sonic research and performance activity exploring the relationship between shared lives and livelihoods across working-class social spaces derealised by precarity, and development working with local ensembles, brassbands, community volunteers and interviews with youth in low-SES regions.





POOR OPERA(TIONS) TRILOGY (2022-)
PACT CENTRE; LIQUID ARCHITECTURE (MONO-POLY); LIVING ROOM THEATRE

POOR/PARA OPERA(TIONS) is an exploratory ‘poor’
opera trilogy concerned with making ‘cheap performances within one’s means’ across the three ecologies. The first iteration B(Z)LOOM ANONYMOU$ was performed as part of Liquid Architecture’s MONO-POLY; the second iteration THE MARINE ROOM, was performed and developed at PACT Centre with mentorship from choreographer Martin Del Amo.
CLASS ACTION$ COLLECTIVE (2022-)
Carriageworks, CEMENTA Festival, Museum of Contemporary Art, The Ethics Centre
https://carriageworks.com.au/events/sleeplessness-2022/
Collective comprised of: Gadigal/Bidgigal/Yuin Elder, Rhonda Dixon-Grovenor, Kaz Therese, James Hazel
(concerned with intersecting, lived experiences of poverty - across micro-geographies in an era of radical change) with a host of collaborators to articulate what ‘class’ means within the contemporary world and arts landscape through sound, text, and experimental performance.
(concerned with intersecting, lived experiences of poverty - across micro-geographies in an era of radical change) with a host of collaborators to articulate what ‘class’ means within the contemporary world and arts landscape through sound, text, and experimental performance.






POOR ACOUSTICS: CLASSED VOCALITIES (2023)
GUEST-EDITED EDITION OF LIQUID ARCHITECTURE: DISCLAIMER JOURNAL
https://disclaimer.org.au/contents/poor-acoustics-classed-vocalities
A collection of performance, video, scores, poetry, and essays that foregrounds working class vocalities/legacies using un(common) sonic dissonance to foster sharp commentary and working class solidarity and sociality.
PRE(CARE)IOUS SCORES (2020-)
Livedreams/Performance Space, ADSR ZINE, RTM.FM
(exploring classed/trauma’d embodiments through working-class vocality text, voice and utterence)
i. hidden injuries (for voice and fixed media)
ii. transposing aspiration (for voice and field recordings
i. hidden injuries (for voice and fixed media)
ii. transposing aspiration (for voice and field recordings





