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(UNDER)
SCORING THE COMMONS (2021-)


Gosford Regional Gallery; University of Helsinki; World Forum for Acoustic Ecology, Avant Project (Poland)
Ongoing sonic research and performance activity exploring the relationship between shared lives and livelihoods  across working-class social  spaces derealised by precarity, and development working with local ensembles, brassbands, community volunteers and  interviews with youth in the regions. Videography by Jeremy Elphick.

underscoringthecommons.com

POOR/PARA OPERA(TIONS)  (2022-)




POOR/PARA OPERA(TIONS) is an exploratory ‘poor’ opera trilogy  concerned with making ‘cheap performances within one’s means’ across the three ecologies. The first iteration B(Z)LOOM ANONYMOU$ was performed as part of Liquid Architecture’s MONO-POLY; the second iteration THE MARINE ROOM, was performed and developed at PACT Centre with mentorship from choreographer Martin Del Amo. Documentation by Jeremy Elphick.

Collective comprised of: Gadigal/Bidgigal/Yuin Elder, Rhonda Dixon-Grovenor, Kaz Therese, James Hazel
(concerned with intersecting, lived experiences of poverty - across micro-geographies in an era of radical change) with a host of collaborators to articulate what ‘class’ means within the contemporary world.


underclass(auto)
theology no.1

(2022)
DISCLAIMER JOURNAL

LIQUID ARCHITECTURE



Extended scores/songs/text




PRE(CARE)IOUS SCORES (2020-)

Livedreams/Performance Space, ADSR ZINE, RTM.FM, Radiophrenia (Glasgow)




Precareious scores explores classed/trauma’d embodiments through working-class vocality text, voice and utterance

i. hidden injuries (for voice and fixed media)
ii. transposing aspiration (for voice and field recordings








©MMXXII James Hazel
All scores, texts, works available via request