A collection of performance, video, scores, poetry, and essays guest-edited and curated by James Hazel that foregrounds working class vocalities/legacies using un(common) sonic dissonance to foster sharp commentary and working class solidarity and sociality. Work by: Laurie May, Kaz Therese, Anna Liebzeit, Tina Stefanou, James Hazel and Mitchel L Ryan.
Research; extended scoring; writing; mixed media collection



(UNDER)SCORING THE COMMONS
University of Helsinki
underscoringthecommons.com
Ongoing sonic research and performance activity exploring the relationship between locality, shared lives and livelihoods - across ‘(under)common’ social ecologies, in spaces derealised by precarity, disaster, and development)
Research/
Performance
Performance




CONT. SCORE PROJECT
107 Projects, ADSR Zinehttp://docs.wixstatic.com/ugd/884980_10950fdc5b364649af5c53a6cb5d7946.pdf#page=14
The Cont. Score Project is an assemblage of hastily written scores, and collected sound objects - mainly those of the sound contributions from the public. Repositioning the sacred status of the music score, and following the practice of fluxus bricolage, which emphasises the “not-well-made” or “almost-made,” these handwritten scores (installed in various Sydney suburbs) offer instructions to perform everyday sonic activities (singing, laughing, beatboxing) which, in turn, coax serendipitous contributions from the public through a website accessed via smart phones
Installation



ANONYMOUS B(Z)LOOMITUDE
Liquid Architecture/Mono-Poly, PACT CENTRE
https://liquidarchitecture.org.au/events/mono-poly-june

