jameshazelcomposer@gmail.com


[i] am a composer, artist, and researcher currently interested in *scoring* resistant text and sonic practices (and making) that emerge within conditions of precarity. 

In this arena [my] practice currently involves:

 scores, installation, performance texts, video and assemblage,

while working with materials including:

  sound, noise, language, space, and found-objects/subjects


[my] practice is also concerned with working/under-class modalities of being, soundings and expressions; thick collaborations; emergent forms of late-capitalist intimacies; node-works and counterfeit-love-companies; [i am] seeking long walks on the beach, thick post-internet altruisms, mysticisms and ritualisations -

and resistant digital ensoundings and archives: like these ones [i] have have been involved in making:




 recent release: concessions (for my father) (2020):

                                                     




I deeply  acknowledge the Gadigal of the Eora Nation, the traditional custodians of this land and pay my respects to the Elders both past and present. I recognise the land on which I work is stolen land and that it was never ceded.



INSTALLATION/VIDEO/
SCULPTURE
CLICK FOR LINK TO SOMETHINGS I DID IN GALLERIES AND NON-GALLERIES; OUTSIDE/INSIDE; FUNDED/NON-FUNDED ETC.: WITH OTHERS/WITHOUT


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PERFORMANCE/WORKS
FOR DANCE/MOVEMENT/THEATRE
Collaborations w/ Ensemble Mise-en from New York, Arts Incubator from South Korea, Choreographers: Kristina Chan, Omer Backley-Astrachan, Rhiannon Newton; Catapult Dance, and The Opera Company from Sydney/Melbourne. 

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SCORES/
PERFORMANCE-TEXTS

Works for ensembles, soloists, voice, non-musicians & experimental performance texts 

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EXPLORATORY-WRITINGS/ESSAYS